“The art of crisis management, now widely acknowledged to be the essence of statecraft, owes its vogue to the merger of politics and spectacle. Propaganda seeks to create in the public a chronic sense of crisis, which in turn justifies the expansion of executive power and the secrecy surrounding it. The executive then asserts his “presidential” qualities by conveying his determination to rise to the crisis, whatever the crisis of the moment happens to be—to run risks, to test his mettle, to shrink from no danger, to resort to bold and decisive action even when the occasion calls for prudence and caution.”
— Christopher Lasch in The Culture of Narcissism
“The mass media serve as a system for communicating messages and symbols to the general populace. It is their function to amuse, entertain, and inform, and to inculcate individuals with the values, beliefs, and codes of behavior that will integrate them into the institutional structures of the larger society. In a world of concentrated wealth and major conflicts of class interest, to fulfil this role requires systematic propaganda.”
— Noam Chomsky and Edward Herman in Manufacturing Consent
“[He is] a pastless futureless man, born anew at every instant. The instants are points which organize themselves into a line, but what is important is the instant, not the line. [He] has in a sense no history. Nothing follows from what has gone before. He is constantly surprised. He cannot predict his own reaction to events. He is constantly being overtaken by events. A condition of breathlessness and dazzlement surrounds him.”
— Donald Barthelme in Robert Kennedy Saved from Drowning (1968)
“To live for the moment is the prevailing passion—to live for yourself, not for your predecessors or posterity. We are fast losing the sense of historical continuity, the sense of belonging to a succession of generations originating in the past and stretching into the future.”
— Christopher Lasch in The Culture of Narcissism (1979)